Curriculum
Experimentation and innovation can be particularly gratifying when working in an age-old medium. Herron’s printmaking curriculum fosters excellence in both traditional printmaking and state-of-the-art techniques.
Academic policies
Printmaking majors may accumulate the 12 credits hours required in 400-level printmaking with any combination of the below etching and lithography courses (indicated with *). Printmaking students at this level may also work in monotype, woodcut, silkscreen, or other printmaking mediums within the context of any of the G400-level offerings after consultation with the instructor.
G201
3 credits |
Beginning course in intaglio printmaking, which introduces students to etching, engraving, and drypoint techniques. Students are instructed in basic printing processes and in use of the presses. Prerequisites: D101-D102, [C121]. |
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G202
3 credits |
Beginning course in lithography dealing with basic techniques of black-and-white and color printing. Includes specific lectures in litho technology, materials, and application. Prerequisites: D101-D102, [C121]. |
G203-G307
3 credits |
Design and drawing for silkscreen processes, construction of equipment, and methods of making stencils (including photo stencils). Printing in black and white and in color. |
G205
3 credits |
Beginning course in monotype and woodcut. Students learn traditional and experimental approaches to relief printmaking. Students are instructed on use of tools and materials and basic printing processes. Printing is in color and black and white. Prerequisites: D101-D102, [C121]. |
G301-G303
3 credits |
An extensive introduction to color printing processes in etching is provided at the beginning of the course. Students are required to do at least a part of their work in color. Other etching techniques not covered in G201 will also be presented. Prerequisites: G201, G202, D201, D202. |
G302-G304
3 credits |
Advanced study designed to extend students’ ability to use their technical knowledge as a means of expression. Experimental printing in color and black and white. Prerequisites: G201-G202, D201-D202. |
G305-G306
3 credits |
Introduction to the use of light-sensitive materials in printmaking processes. Involvement with nonsilver photographic processes such as kallitype, photoetching, photolithography (using halftone and contact materials), photosilkscreen, and gum printing. Color separation principles for printmaking processes. Prerequisites: K201-K202, G201-G202, and/or permission of the instructor. Corequisite: Enrollment in a 300-, 400-, or 500-level printmaking course. |
G309
3 credits |
Advanced study of monotype techniques, both traditional and nontraditional. Emphasis is placed on students gaining control of monotype process in order to accurately express their artistic vision. Students are encouraged to explore their individual goals and research into the various mediums available. Prerequisite: G205. |
G401-G402
3-6 credits |
A continuation of advanced processes in intaglio printmaking with demonstrations and experimentation with materials and techniques, including computer-assisted approaches. Individual and group critiques and discussions promote ongoing development of images and concepts. |
G401-G402
3-6 credits |
A continuation of advanced processes in lithography with demonstrations and experimentation with materials and techniques, including computer-assisted approaches. Individual and group critiques and discussions promote ongoing development of images and concepts. |
G403-G404
3 credits |
Offered in conjunction with G401-G402 only. Research devoted to the student’s own projects in printmaking. |
G501-G502
3 and/or 6 credits |
Graduate-level printmaking for students who have completed G401-G402 or their equivalent. Visual research on a highly individual level with personal criticism by the instructor. |
